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Index

Section Category Group Display

Early Production

Early Background Concept Art By Peter Mueller

Early Background Concept Art By Peter Mueller

Early Background Concept Art By Peter Mueller

Early Background Concept Art By Peter Mueller

Early Background Concept Art By Peter Mueller

Early Background Concept Art By Peter Mueller

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By Chris Lane

Early Concept Art By John Norton

Early Concept Art By John Norton

Early Concept Art By John Norton

Early Concept Art By John Norton

Early Concept Art By John Norton

Early Concept Art By John Norton

Early Concept Art By John Norton

Early video test

Early video test

This is a shot from the pre-production phase of TRON of Larry Anderson. He performed a pseudo Flynn/TRON role in several filmed sequences before Jeff or Bruce were hired./a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Larry Anderson - Then

Lightcycle Designs

/a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Color Renditions By Peter Lloyd

/a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Color Renditions By Peter Lloyd

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

Early Designs By Andy Probert

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Design By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Designs By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Designs By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Designs By Syd Mead

The design of the Lightcycles proved to be a challenge for the computer animators at MAGI because Syd Mead's original designs were too complex to be realized by their system. MAGI's computer imaging system used simple geometric shapes (primitives) as building blocks. These did not easily lend themselves to creating complex vehicles.

Designer Syd Mead discusses the challenge of designing the Lightcycles within the limited constraints of MAGI's computer imaging capabilities:

affects lung cancer">
Lightcycle Designs By Syd Mead

Original Storyboards

This is an original storyboard hand drawn by Moebius prior to TRON's production/a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Moebius Storyboard

This is a set of 9 storyboards copied and sent out by Disney. In total there are 90 storyboards contained on 5 seperate pages./a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Storyboard Copy Set

Pre-Production Test

Uncertain that the proposed special effects techniques would work on film, the Walt Disney Studios commissioned Steven Lisberger to create a short test reel. The thirty-second film was shot in both the Vista-Vision and 35mm anamorphic formats using actors dressed in light gray costumes against white backgrounds.

Each frame of this live-action shoot was enlarged onto 11

affects lung cancer">
Pre-Production Test

Uncertain that the proposed special effects techniques would work on film, the Walt Disney Studios commissioned Steven Lisberger to create a short test reel. The thirty-second film was shot in both the Vista-Vision and 35mm anamorphic formats using actors dressed in light gray costumes against white backgrounds.

Each frame of this live-action shoot was enlarged onto 11

affects lung cancer">
Pre-Production Test

Uncertain that the proposed special effects techniques would work on film, the Walt Disney Studios commissioned Steven Lisberger to create a short test reel. The thirty-second film was shot in both the Vista-Vision and 35mm anamorphic formats using actors dressed in light gray costumes against white backgrounds.

Each frame of this live-action shoot was enlarged onto 11

affects lung cancer">
Pre-Production Test

Uncertain that the proposed special effects techniques would work on film, the Walt Disney Studios commissioned Steven Lisberger to create a short test reel. The thirty-second film was shot in both the Vista-Vision and 35mm anamorphic formats using actors dressed in light gray costumes against white backgrounds.

Each frame of this live-action shoot was enlarged onto 11

affects lung cancer">
Pre-Production Test

Uncertain that the proposed special effects techniques would work on film, the Walt Disney Studios commissioned Steven Lisberger to create a short test reel. The thirty-second film was shot in both the Vista-Vision and 35mm anamorphic formats using actors dressed in light gray costumes against white backgrounds.

Each frame of this live-action shoot was enlarged onto 11

affects lung cancer">
Pre-Production Test

This is the belt worn by Sam Schatz in the original test sequence to prove the concept of TRON could be achieved.

It was given to me by Steven Lisberger on 11/30/2004./a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Sam Schatz Belt From Test Sequence

Recognizer

Design By John Norton

Design By John Norton

Design By John Norton

Early Design By Andy Probert

Early Design By Andy Probert

Early Recognizer Design As An Animated Character

Recognizer Interior Design By Syd Mead

Recognizer Interior Design By Syd Mead

Sark's Carrier

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Storyboards

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

Early Storyboard Art

This is an original storyboard hand drawn by Moebius prior to TRON's production/a><a href='http://tests4all.org/12/'>affects lung cancer</a></div>��</title>��</title>��

Original Storyboard

Tank Designs

Color Rendition By Peter Lloyd

Color Rendition By Peter Lloyd

Color Rendition By Peter Lloyd

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Andy Probert

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

Design By Syd Mead

There are a total of 129 images in this Sector.

Tron-Sector is copyright ©2006 Mythric Studios, Inc. All Rights Reserved. Tron, Tron 2.0 and related materials are property of the Walt Disney Company.