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I need all the help I can get and I think everyone here may just rule when it comes to this kind of stuff... This one includes LurkingHorror, if he agrees, of course...

I have not read the TRON comic book yet. Haven't even seen said issues at my local shop here in Mexico City. I'm planning ordering the upcoming trade paperback via Amazon.com as soon as it hits the shelves, however I need to know the whole story sooner than that... and that's where you come in. I'd like everybody to tell me what is it about.
I know Issue 6 isn't available yet, but don't worry, you can edit your post later when it comes out, all I ask is posting your most complete and detailed account of the story that's been told so far in the TRON: GITM comic book. It doesn't matter if you want to describe panel by panel or if you see someone else already posted the complete dialogs, for I'm interested in reading everyone's particular interpretation of it.

A 100 buildpoints goes for the most complete and detailed account so the next and best version of you will be guaranteed... Just enter here

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Cam_the_Man Wrote: As far as I can tell, this comic was made with marijuana

In spirit with the original film then.
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lurkinghorror Wrote: Cam_the_Man Wrote: As far as I can tell, this comic was made with marijuana In spirit with the original film then.

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mmm... I would've bet this thread could've reached 10 to 20 replies by now... A week was more than enough...

Doing some research on my own, all I can say is this:

Lurking Horror... YOU RULE! You approached the story like a top-notch Pro... Just reading a review put me in for a ride a la The Game psychological thriller and instantly reminded me of masterpieces like Green Lantern's Willworld!!! Congrats on such an interesting TRON universe contribution.

A 100 build points go to VRAM for doing his homework searching and reading TronFAQ's comic issues reviews Blog...

achilles Wrote:i have the first two issues. id have to go back and read them again to give you details on the story because this was like 3 years ago i thought it was really bad and stopped caring. the art was pretty cool as much at it held to the original style - but i didnt care for the big buff suit jet wears - my only complaint with the 2.0 game as well. mainly though i recall thinking the writing was just terrible. and i was waiting for that book to come out.

You're certainly entitled to your own opinion, and I've always known that not everyone will like the book, but judging the writing of a 6 part story by the first two parts is like walking out 20 minutes into a film.

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I think that if you continue to read the series, you might be surprised. The guiding principal for the comic series is the line Flynn had in the film: "This isn't happening, it only thinks it's happening". I'll post a bit from issue 5 that addresses your points pretty well, I think.

http://pics.livejournal.com/xray_studios/gallery/000022tk

There is a certain level of contrived-ness that was quite intentional. The red version of Jet Bradley comments on this pretty well I think, in this section.

Now, I'm not saying you will like the series or consider it good. There are certainly flaws with the first two issues (the design of Jet was a sore point for me as well). A new artist came in with issue 3, and the story began to spin in a different direction (as was the plan).

In a sense, your appraisal of the first two issues is something I agree with. The only thing is, I know this approach to storytelling was by design. But then, I have a bit of inside information, of course.

In what places, artwise? Jet disappears leaving his helmet? Was that the first artist (issue 1 and 2) or the second artist (issue 3 through 6)?

If we could have had one consistent artist for the book, that certainly would have been our first choice. My main concern with the art, was that it represented what was in the script properly. Especially since the story takes so many twists and turns.

But yeah, obviously there are two different visual appearances to the book. An unfortunate reality of working in a serialized format. My preference was with Mike's work. Mind you, I think Louie did some wonderful things with the designs of the pages in the first two issues, such as the panel borders and the like. But I think that Mike (issues 3 through 6) was a better fit with the style of writing. If we could have had the series redrawn from issue one, we would have. But that wasn't really an option.

Not mean at all. Everyone is entitled to their own opinion. That was artwork from issue 3. I really like the art in that one (and the following issues). It has a style reminiscent of Bryan Hitch and Frank Quitely to me. Though to be fair, as much as I love the art of Frank Quitely now, I hated it when I was first exposed to it. It took me a while to understand and recognize the strengths of the artist. I think Mike Shoyket's work is comparable in that regard. And I think that people like it more the more they are exposed to it.

That said, nothing is perfect. Mike's art missteps occasionally as does my (and Eric's) writing. This was a very, very demanding book on everyone. The visuals are in a constant state of flux as the primary character's perceptions shift. The rabbit (by way of example) never quite looks the same from scene to scene. Mercury is constantly shifting in design, as is Jet. These aren't inconsistencies, but are meant to reflect the fluid state of Jet's environment. I actually felt a bit bad, asking Mike to draw things this way. It made his job much harder. Not that he ever once complained.

I finally figured out which part you mean. I think it was a stylistic choice on Mike's part. By that I mean, I think he's trying to convey Jet's mood. Jet does not literally disappear in that scene at all. I actually never understood Mike's choice on that particular panel. Why his face drops into shadow on that scene is not something I can really explain.

As for the roughness, I understand why it wouldn't appeal to everyone. Personally, I like it. There is a fluidity to the line work that I really enjoy. An organic quality, if you will. If allows for a far more energized page, as opposed to cleaner, more rigid line work.

*EDIT - I take that back. I think the idea here is that Jet is in communication with the rest of his army. There was an idea that Jet was in constant communication with every other program (the reason for the eye upgrade earlier in issue 3) , and this was why there is a pause in his response here. We touch on it briefly in the fourth issue. The visual effect though was, I think, not really necessary.

We wanted to go much more in depth with all of this. But we only had six issues. And due to some behind the scene things, issue three became issue 3 and 4. This is why issue 4 seems to have less story and why we had to cut some things. We really only got 5 issues of comics to tell a six issue story.

Between changing artists and late books and shifting page counts, we had a bit of strain working on this series.abortion pills online abortion questions cytotec abortion

Well, now that #6 has apparently hit the shelves, I was thinking if somebody could be so kind as to sum it up for me... you just can't get it south of the U.S. border, ya'know...

Thanx.